![]() ![]() I am sharing here some of the most interesting of them. I made a little research to discover what is the reason why some of us have that ability and some others do not. Without ability to step on the beat, one can not be considered a good dancer.īut what does it means? Around 30% of all of the students I worked with had trouble to feel the rhythm of the music and express it with their movements. ![]() The rhythm is so important that some scientist consider that the rhythm, rather than the melody, should be considered the core of the music. #MUSICALITY WHO YOU ARE HOW TO#Learn how to walk on the beat – There is no music without a rhythm and there is no musicality without walking on the beat. This does not means that women should not read it: contrary, understanding it will help them immensely. These concepts are considering male and female aspects of the musicality – but after finishing the article I noticed that it is slightly more focused on the male aspect. In my third point I will explain how to exercise the separation of the rhythm from the melody. I will also explain why and how to watch the videos of the best and how should you chose what to watch in order to improve your musicality. As I will explain in the fourth point, dancing by yourself is one of the key factors that can help you improve your musicality.īesides dancing alone, in this post I am going to explain to you how important is to walk on beat and how can you achieve that, specially if you are one of those people who have trouble recognizing the rhythm. ![]() When I remember this episodes I can not but quote the German philosopher Friedrich Nietzsche:Īnd those who were seen dancing were thought to be insane by those who could not hear the music.īut why I am telling you this dirty little secret? Because I was unaware that my one-person milongas were a training for me. I would take a sweater in my hands, holding it like it is my partner… I danced alone like a lunatic. What was mu solution? I turned off the lights, played some Canaro (oh, how much I was addicted to Canaro that period) and my private one-person milonga started. I guess this kind of sad conversation, sooner or later, goes on in the head of every decent tango addict. We might socialize and dance a bit in the park this weekend, but what I am going to do tonight? No tango. It is Friday! Oh crap, what I am going to do? The classes and practica are on Sunday, and the milonga is on Wednesday. I will also use some of the latest discoveries of the neuroscience to help you understand the true nature of the musicality itself. They are derived from my personal experience, but also from the experience and knowledge of the great masters from the Golden Age. You might say ‘OK, than how can I work on this segment of my dancing?’ I am going to give you here four ways you can improve your musicality. Tango music does not have percussions or rhythm section, dancers do not dance to the music itself, but rather to the feeling that music creates. In tango this is specially important because it has very complex way of expressing the music, which, by the way, can be very complex itself. No matter what do you dance, part of learning goals is to improve your musicality. ![]()
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